Prompt Ultra realistic cinématographique live action

Modèle prêt pour la production pour Ultra realistic cinématographique live action, pensé pour Community référence et des workflows VisioArt structurés.

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This template is for Ultra-realistic cinematic live-action, inspired by Inception. Shot on Arri Alexa Confirm the input, output ratio, and publishing context before you generate.

Inputs: Start with a text prompt.
Output planning: video or motion output; aspect ratios: set by the tool.

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0:00–0:03*0:03–0:06*0:06–0:10*0:10–0:12*0:12–0:15*

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Ultra-realistic cinematic live-action, inspired by Inception. Shot on Arri Alexa Mini, 50mm lens. Natural 8 AM sunlight, shallow depth of field, organic film texture, subtle lens dispersion, photorealistic.Character Consistency: Use the reference image as the exact protagonist. Maintain identical facial features, hairstyle, beard, body proportions, brown oversized T-shirt, black cargo pants, silver chain, and sunglasses throughout. No coffee cup.[0:00–0:03]The protagonist walks confidently through a busy city sidewalk. Pigeons fly in the background. He smirks and snaps his fingers.[0:03–0:06]A brilliant white shockwave bursts from his hand. Time freezes instantly. Pedestrians stop mid-motion, pigeons freeze mid-flight, dust and leaves hang motionless in the air. Silence.[0:06–0:10]Only the protagonist can move. Tracking shot as he walks through the frozen world. Light rays illuminate floating particles. He casually brushes a frozen pigeon.[0:10–0:12]He passes a woman in a yellow dress suspended in time. He glances at her and nods slightly.[0:12–0:15]He turns toward camera and snaps again. A reverse shockwave restores reality. People resume moving, pigeons scatter, city sounds return. Wide cinematic crane shot pulls away as he walks into the crowd.Premium Hollywood VFX, realistic shockwaves, time-freeze effects, volumetric lighting, seamless transitions, natural motion blur, blockbuster quality, no AI artifacts.

Complete required fields: 0:00–0:03, 0:03–0:06, 0:06–0:10, 0:10–0:12, 0:12–0:15

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