I. Project Positioning
Film-level realistic quality, pure ancient-style Chinese Xianxia aesthetics, adopting restrained relationship comedy, elegant classical character blocking, Arri Alexa cinema camera look, clear and stable facial details, fine film grain, and natural volumetric light.
The core mechanism of this segment is:
The same sentence being interpreted completely differently by two people.
The punchline only comes from character relationships, understanding deviations, and restrained reactions. Both characters are always smart, restrained, and dignified. No use of magic failure, environmental accidents, hidden monsters, characters making fools of themselves, or humiliating punchlines.
II. Reference Control
1. Character Reference
@Image 1 only as an identity anchor for Character ID A.
@Image 2 only as an identity anchor for Character ID B.
2. Environment Reference
All newly uploaded background and location reference images in this round are jointly regarded as the same environment DNA.
Before formal composition, silently execute a round of environmental planning.
Comprehensively deduce compatible:
Actual terrain
Architectural language
Spatial scale
Material era
Weather state
Vegetation ecology
Water relationships
Clouds and mountain fog
Main light direction
Reflection relationships
Overall color system
Air depth
Real walkable routes
Then recombine this information into a unique, unified, physically reasonable new space for this round.
3. Environment Running Principles
The environment must always be vivid but stay neutral in narrative.
Wind, water, mountain fog, vegetation, clouds, distant light, reflections, and spatial ambient sounds must all change naturally and continuously, but they:
Do not trigger the plot.
Do not change character goals.
Do not create or solve misunderstandings for characters.
Do not participate in punchlines.
The whole is organized according to the Seedance 2.0 official unified multi-modal audio-visual joint architecture, fully utilizing support for text, image, audio, and video references.
III. Character Settings
Character ID A | Senior Sword Immortal
Same as @Image 1.
25–30 year old East Asian female, oval face, fair skin, deep apricot eyes, black long hair half-up, fixed with a white jade hairpin, tall and slender.
Always wears the same outfit:
White embroidered silk Hanfu
Semi-transparent wide sleeves
Silver waist sash
Jade pendant
White cloth boots
Holds the unique silver longsword.
Character ID B | Junior Sister
Same as @Image 2.
20–25 year old East Asian female, round and nimble face, black hair braided, petite stature.
Always wears the same outfit:
Green linen Hanfu
Dark waist belt
Wooden hairpin
Black cloth shoes
Holds the unique dark steel sword.
IV. Storyboard Script
0–5s | Full Shot or Wide Shot
In the location re-planned based on the reference images, the two stop three steps apart.
The same white-clad sword immortal says solemnly:
'Let yesterday's matters end here.'
The same green-clad junior sister's body freezes slightly, and she only answers:
'Okay.'
She then immediately turns to leave.
Requirements:
Both people fully visible from shoes to head.
Clear spatial relationships.
The environment maintains continuous natural motion.
The misunderstanding starts from the semantic difference of the line.
5–10s | Medium Shot or Cowboy Shot
Maintain the same two women, same clothing, same longswords, and exactly the same spatial geographical relationship.
The white-clad woman watches her walk further away, clearly somewhat puzzled, and finally asks:
'Where are you going?'
The green-clad woman stops but doesn't turn around:
'Aren't you expelling me from the sect?'
Preserve a full half-beat pause.
The white-clad woman answers:
'I meant, stop arguing.'
Requirements:
The misunderstanding is clearly revealed in this segment.
Restrained rhythm.
Performance relies on pauses, eye contact, and tone.
The background continues its natural movement but never participates in the formation or resolution of the misunderstanding.
10–15s | Close-up or Extreme Close-up
The same junior sister slowly turns back, her embarrassment only expressed through her eyes and very slight facial changes, saying:
'You should have said so earlier.'
The same senior sister answers calmly:
'I thought you understood.'
The junior sister walks past her, muttering in a low voice:
'Every time you say it like it's a final testament.'
Extreme close-up:
The senior sister's always dignified and restrained expression finally shows a very slight smile.
After the junior sister notices it from the corner of her eye, she also tries to suppress her own smile.
Finally, the two naturally walk away in the same direction side-by-side.
Requirements:
Gentle closing.
The relationship reversal lands on the recovery of tacit understanding between the two.
Do not use exaggerated comedy acting.
The final smile must be very light.