Prompt A hyper immobilier cinématographique sequence set on a narrow forest hi

Prompt

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A hyper-real cinematic sequence set on a narrow forest highway cutting through dense tropical rainforest in bright daytime. Towering trees, thick vegetation, patches of sunlight breaking through the canopy, damp asphalt, scattered leaves, and abandoned rusted vehicles along the roadside. Sound design: screaming motorcycle engine, rushing wind, distant automatic gunfire rapidly getting closer. The sequence begins mid-chase. A tight side-tracking close-up follows an athletic woman riding a rugged, military-style scrambler motorcycle fitted with an oversized sidecar built from welded steel plates and reinforced panels. Mud splashes across the tires. She has braided hair, tattooed arms, long manicured nails, and a calm, intensely focused expression. Bullets suddenly rip through the trees. Branches explode. Rounds ricochet off the motorcycle’s steel frame, throwing bright sparks. We never clearly see the attackers—only flashes of movement disappearing behind bends in the road, distant engines, and relentless gunfire, keeping the threat mysterious. The camera swings into a dramatic three-quarter side angle as the motorcycle approaches a sharp bend. Without slowing, she slams the front brake. The motorcycle lifts into a perfect stoppie, balancing almost vertically on its front wheel. For one terrifying second it looks as though she is about to crash. Instead— She discreetly taps a small control on her wrist. The transformation begins. Mechanical joints fold inward with astonishing speed. The sidecar collapses first, wrapping around the motorcycle like interlocking armor. Wheels disappear inside folding stone-textured panels. The handlebars retract. The entire machine rapidly compresses into a massive, irregular moss-covered boulder with rough bark, vines, and patches of lichen growing across its surface. The boulder tips forward once, rolls naturally off the roadside into a cluster of existing rocks beneath the trees, then becomes completely still. Seconds later a convoy of savage raiders on heavily modified motorcycles and armored trucks blasts around the corner, firing wildly as they race straight past, convinced she continued down the road. The camera slowly pushes into a tiny concealed viewing slit within the rock. Inside, soft mechanical displays glow. She calmly watches the convoy disappear on a miniature monitor. Only the distant sound of engines fading deeper into the forest remains. No cut. Continuous shot.

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